NOSBAUM & REDING - ART CONTEMPORAIN / Aline Bouvy / John Gillis

Aline Bouvy
*74, LU

Studies:
99-01 Jan van Eyck Academie, Maastricht, NL
95-99 Ecole de Recherche Graphique, Brussels, B

John Gillis
*72, BE

Studies:
98-00 Jan van Eyck Academie, Maastricht, NL
93-97 Ecole de Recherche Graphique, Brussels, B

Aline Bouvy and John Gillis are currently living and working in Brussels.

Solo Shows

2011
Nosbaum & Reding, Luxembourg, L

2010
Venusia, EMAF ArtBox, curated by Hermann Noering, Osnabrück, D
Ne t´inquiète pas, je ne te veux aucun bien, l´Edition Populaire, Antwerp, B
Heat in coupling, La Chaussette, Brussels, B

2009
Peripatetics, vagabonds and other shapes, curated by Collector´s Preview, Natacha Carron and Denise Vilgrain, Le Temple, Paris, F
Venusia, Volume Projects, London, UK
APORIE DE LA PEUR, Etablissements d´en face projects, Brussels,

2008
Joven y Brillante, Veals & Geeks, Brussels, B

2007
Venusia, Zoo Galerie, Nantes, F
Aline Bouvy / John Gillis, Nosbaum & Reding – Art Contemporain, Luxembourg, L
New Beat, International Project Space, Birmingham, UK

2006
My Other Cunt, 404 arte contemporanea, Napoli, I
Another drenched night at the Pagano club, aliceday, Brussels, B
You never cry with just one eye, Wendy Cooper Gallery, Chicago, IL, USA
Acid on my Sphinx, A4, curated by Sonia Dermience, Palais des Beaux-Arts, Brussels, B

2005
Sonia Versace, Galerie Kuttner Siebert, Berlin, D
Perry-ism, Nosbaum & Reding - Art Contemporain, Luxembourg, L

2003
Galerie Damasquine, Brussels, B

2001
To a severe mathematics, curated by Eva Schmidt, Gesellschaft für Aktuelle Kunst, Bremen, D

2000
Episode 01: Descriptions, Jan van Eyck Academie, Maastricht, NL

Group Shows

2010
PPP & Ensoriaanse Mars op Oostende, Mu.zee, Oostende, B
Rien de politique ..., Komplot, Brussels, B
A stranger´s window, curated by MOOT gallery, Nottingham Castle & Museum, Nottingham, UK

2009
Mercury Retrograde: Animated Realities, curated by Zeljka Himbele-Kozul and William Heath at Bay 12 Gallery, Austin, Texas, USA
VIDEO_DUMBO, curated by Caspar Stracke and Gabriela Monroy at D.U.M.B.O, Brooklyn, NY
Opération Tonnerre, curated by Isabelle Le Normand, Mains d´Oeuvres, Paris, F
Dark Pearl, curtated by PILOTTTI, La Générale, Paris, F
Venusia, Volume Projects, London, UK
I love the Benelux, curated by Nina Bovasso, Virgil de Voldère Gallery, New York City, NY
Videonale 12, Kunstmuseum Bonn, D

2008
Architecture of Survival, Outpost and Art2102, Los Angeles, CA, USA
Un-scene, Wiels, Centre for Contemporary Art, Brussels, B
From Love, with Brussels, curated by Komplot, Van Abbemuseum, Eindhoven, NL
Optica, Festival Internacional de Videoarte, Gijon, E
second_nature, Domaine départemental de Chamarande, Chamarande, F
Young identities — Global Youth, curated by Hermann Noering, Kunsthalle Dominikanerkirche, Osnabrück, D
Publish and be damned, Goethe Institut New York, New York, USA
seconde_nature, Dexia BIL, Luxembourg, L
Decoder, curated by Nav Haq, Contemporary Art Center (CAC), Vilnius, LT
Gravity, Coleccion Ernesto Esposito, Artium, Centro Museo Vasco de Arte Contemporaneo, Vitoria, E
Monsieur Jean-Paul recevra, curated by Jean-Paul Jacquet, Observatoire galerie - Maison Grégoire, Brussels, B
Losing Control, curated by Koen Leemans and Leen Voet, De Garage, Cultuurcentrum, Mechelen, B

2007
The parallax crew, curated by Xana Kudrjavcev-DeMilner, Nosdella.due, Bologna, I
Artz Attack, Plan B, Brussels, B
Decoder, Contour 2007, 3rd biennial for video art, curated by Nav Haq, Mechelen, B
Summer show, aliceday, Brussels, B
Gest: Future Criticism, Kingston University, curated by Robert Garnett and Andrew Hunt, London, UK
Nosbaum & Reding @ Artnews Projects, Artnews Projects, curated by Alex Reding, Berlin, D
Come over to my house to see my album, curated by Philippe Herman-Terrier, Maison Grégoire, Brussels, B
What glue do you use?, Atelier Cardenas Bellanger, curated by Yves Brochard, Paris, F

2006
Not Yet Night, curated by Babak Ghazi, The Embassy, Edinburgh, UK
L´Été Photographique de Lectoure, Lectoure, F
Writing in Strobe, Dicksmith Gallery, curated by Andrew Hunt, London, UK

2005
Slim Volume Poster Publication, curated by Andrew Hunt, Fortescue Avenue/Jonathan Viner, London, UK
SV05, Studio Voltaire, selected by Enrico David and Catherine Wood, London, UK
Le canard était toujours vivant, Abbaye Saint-André, Centre d´ Art Contemporain, Meymac, F

2004
No Friture, Die junge belgische Szene, Kunstverein Mannheim and Kunstverein Ludwigshafen, D
Not Yet Night, The Ship, curated by Babak Ghazi, London, UK
AXXXPRESSUNIZM, Vilma Gold, curated by John Russell and Mark Beasley, London and aliceday, Brussels
Bande Annonce, aliceday, Brussels, B
Vollevox, Festival Maïs, Bâtiment van der Borght, curated by Komplot, Brussels, B

2003
First Glance, Galerie Kuttner Siebert, Berlin, B
Hurts so good, Contemporary Art Center, Vilnius, LT

2002
Freespace 3, Z33, Hasselt, B
Belgian Focus, Argos Film Festival, Argos, Brussels, B
The music in me: Concerting an exhibition, KSA:K, Chisinev, MD and
Gesellschaft für Aktuelle Kunst, Bremen, D
The idea is good but the world isn´t ready for it yet, Allias, curated by Jean-Paul Jacquet, Taverne des Beaux-Arts, Palais des Beaux-Arts, Brussels, B

2001
The air palpably thickens as soon as the Californian hairdresser walks in, Marres, Centrum voor Beeldende Kunst, Maastricht, NL

2000
Unfortunately last sunday afternoon…, Museum Het Domein,Sittard, NL
Open Nights, Jan van Eyck Akademie, Maastricht, NL

1999
DIN D-I-N, 4x4 Gallery, curated by Robert Garnett, Amsterdam, NL

Performances

2006
Ego devant la mort, in collaboration with Simona Denicolai and Ivo Provoost, Galeries Anspach, Brussels

2005
K*Market, Galerie Ravenstein organised by Komplot, Brussels
WAKE UP II, Festival Maïs organised by Komplot, Brussels

2004
Das Spiel ist aus, Ecole de Recherche Graphique, Brussels
I´m alone, I love my tits, Vollevox #3, Théâtre Mercelis curated by Komplot, Brussels
WAKE UP, Festival Maïs, organised by Komplot, Brussels

2003
Can´t be Zarathoustra all the time, Cercle Nautique, Liège, B

2002
On and on and on, na, na, naa, De Appel, Amsterdam

2001
Allen Jones: Book Reading, Marres, Centrum voor Beeldende Kunst, Maastricht, NL and Le Pavé dans la marre, Besançon, F